{"id":7714,"date":"2025-01-20T08:00:56","date_gmt":"2025-01-20T07:00:56","guid":{"rendered":"https:\/\/www.scriptopolis.fr\/?p=7714"},"modified":"2025-01-02T23:50:28","modified_gmt":"2025-01-02T22:50:28","slug":"intime-public","status":"publish","type":"post","link":"https:\/\/www.scriptopolis.fr\/en\/intime-public\/","title":{"rendered":"Public intimate"},"content":{"rendered":"<p><a href=\"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56.png\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56.png\" alt=\"\" width=\"800\" height=\"800\" class=\"alignnone size-full wp-image-7715\" srcset=\"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56.png 800w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-300x300.png 300w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-150x150.png 150w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-768x768.png 768w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-305x305.png 305w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-144x144.png 144w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56-50x50.png 50w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p><em>By our guest: Victoria Brun <\/em><\/p>\n<p>Paris, November 2024.<\/p>\n<p>Walking along the platform of the Champs-\u00c9lys\u00e9es Cl\u00e9menceau subway station on line 1, I stumble upon an abandoned sign from the march organized by the Nous Toutes collective that same day against gender violence. It is not laid flat or thrown in the garbage can, but dutifully arranged upright, in a niche decorated with photographs of the Grand Palais, which is just above the surface.<br \/>\nI come across it just as the instruction of the so-called \u201cMazan rapes\u201d trial has come to a close. I see in it the various issues that have agitated these 49 days of hearings. Firstly, it resonates with the testimonies of the friends, mothers, sisters and spouses of dozens of men who have repeatedly described themselves as generous friends, supportive fathers, devoted brothers, grateful sons and loving husbands. While the crime statistics are formal, we still find it hard to accept that our rapists are precisely the men closest to us, the ones we often knew and sometimes esteemed. Leaning back against a photo of a young boy, it goes on to question the importance of the educational dimension in the reproduction of rape culture. Does the systematic nature of sexual violence lead to a mechanical and immutable reproduction? And finally, it echoes a nominalistic controversy at the heart of the trial: is it proper to transform the name of the crime \u201crape\u201d into the attribute of the person \u201crapist\u201d? Is it possible to commit rape without being a rapist?<br \/>\nIn the same way that feminist mobilizations strive to politicize the intimate sphere, this sign has been placed here, far from the route taken by the demonstration procession, in a corner of the platform, on the edge of public space. It lends itself only to attentive gaze, in an alcove reminiscent of the parade chambers where the bed was protected from view, or the salons of the Pr\u00e9cieuses where confidences were shared.<\/p>","protected":false},"excerpt":{"rendered":"<p>By our guest: Victoria Brun Paris, November 2024. Walking along the platform of the Champs-\u00c9lys\u00e9es Cl\u00e9menceau subway station on line 1, I stumble upon an abandoned sign from the march organized by the Nous Toutes collective that same day against [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7715,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","activitypub_content_warning":"","activitypub_content_visibility":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2025\/01\/Capture-decran-2025-01-01-a-21.58.56.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pDxzW-20q","_links":{"self":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/7714"}],"collection":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/comments?post=7714"}],"version-history":[{"count":1,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/7714\/revisions"}],"predecessor-version":[{"id":7721,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/7714\/revisions\/7721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/media\/7715"}],"wp:attachment":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/media?parent=7714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/categories?post=7714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/tags?post=7714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}