{"id":2904,"date":"2011-01-21T09:00:13","date_gmt":"2011-01-21T08:00:13","guid":{"rendered":"http:\/\/www.scriptopolis.fr\/?p=2904"},"modified":"2014-08-24T12:24:50","modified_gmt":"2014-08-24T10:24:50","slug":"des-choses-aux-mots","status":"publish","type":"post","link":"https:\/\/www.scriptopolis.fr\/en\/des-choses-aux-mots\/","title":{"rendered":"From Things to Words"},"content":{"rendered":"<p><a href=\"http:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille.jpg\" alt=\"treille\" width=\"400\" height=\"400\" class=\"alignnone size-full wp-image-2903\" srcset=\"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille.jpg 400w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille-150x150.jpg 150w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille-300x300.jpg 300w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille-305x305.jpg 305w, https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille-144x144.jpg 144w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>(with some clear Foucauldian understatement)<br \/>\nI\u2019ve been investigating for a little while now about this type of street furniture, which to my minds looks typically Parisian (in the sense that I\u2019ve never seen it elsewhere). Strangely enough, though, Parisians \u2013 at least, the ones I have asked (\u2026perhaps too insistently?) \u2013 do not seem to reserve a special name to it. Indeed, in the majority of cases they do not even seem aware of the existence of this specific piece of urban d\u00e9cor\u2026 So integrally a part of their visualscape as to become invisible? \u2026Infraordinary?<br \/>\nAnyway, even an online search could not help me to solve the mystery. While there seem to be a number of precise names for other recognised Parisian pieces of outdoors furnitures and urban decorations \u2013 Guimard metro entrances, Wallace fountains, Morris columns and, more recently JC Decaux\u2019s \u00ab abribus \u00bb, V\u00e9libs\u2019 stations etc. \u2013 this sort of green arbour (bower, treille, pergola\u2026? It looks like a support for plants, which however in most cases are absent) decoratively positioned on the lateral walls of buildings remains mysteriously nameless\u2026 Or, is there a whole story out there that I\u2019m missing due to my ignorance?<br \/>\nWhat is most intriguing is perhaps the fact that the design itself of this mobilier seems to almost be on the verge of spelling its own name. Actually, because of its immediate recognisability, this green grid made of convergent and ordered paths, imitating the perspective of a garden, nearly looks like a writing, like a signature\u2026 And yet, frustratingly enough, not quite actually. Digital urbanity, they say, increasingly gives us the means to trace information of all sorts about objects and fluxes. Yet it in fact only give us such a power over objects and fluxes that have already been created as coded and codified. But, what about anonymous, scattered, mute, inapprehensible, interistitial objects? Is our age the time when the relationship between things and words is going to be finally settled, or on the contrary the one in which it is going to be radically re-opened?<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>(with some clear Foucauldian understatement) I\u2019ve been investigating for a little while now about this type of street furniture, which to my minds looks typically Parisian (in the sense that I\u2019ve never seen it elsewhere). Strangely enough, though, Parisians \u2013 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","activitypub_content_warning":"","activitypub_content_visibility":""},"categories":[8,11],"tags":[],"jetpack_featured_media_url":"https:\/\/www.scriptopolis.fr\/wp-content\/uploads\/2014\/08\/treille.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pDxzW-KQ","_links":{"self":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/2904"}],"collection":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/comments?post=2904"}],"version-history":[{"count":1,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/2904\/revisions"}],"predecessor-version":[{"id":2905,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/posts\/2904\/revisions\/2905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/media\/2903"}],"wp:attachment":[{"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/media?parent=2904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/categories?post=2904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.scriptopolis.fr\/en\/wp-json\/wp\/v2\/tags?post=2904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}